Orwell, Huxley, Banksy

Last month two new Banksy installations emerged, and they have something important to say about what we choose to fear in the age of the Internet. In the first piece, a stone-wall mural near the headquarters of GCHQ (Britain’s equivalent of the NSA), three special agents in trench coats and fedoras attempt to surveil a derelict phone booth. In the second, on a wood panel screwed into a stone wall in Bristol, a man and woman embrace in darkness, each halfway breaking their hug to check a glowing smartphone held behind the other’s head. Neither piece was, in itself, very notable. In fact, there was […]